Evelyn
Wang is not having a good day. Her business is being audited, her husband has
filed for divorce, and she is trying to keep her aged father from finding out
that her daughter has just declared herself lesbian. Then, she is approached by
a man who looks just like her husband but claims to come from a different
reality and tells her that she is the key to fighting off a great evil that is
trying to destroy all the worlds in the multiverse of time. The only way Evelyn
can fight this evil and save the multiverse, including herself and her family,
is to visit the different realities and bring their experiences and talents
back into her own. Can she succeed?
This
movie swept the 2022 Academy Awards, including a Best Actress award for
Michelle Yeoh who plays Evelyn, Best Supporting Actor for Ke Huy Quan who plays
her husband and the lookalike from the alternate reality, and Best Supporting
Actress for Jamie Lee Curtis who, completely unrecognizable in wig and makeup,
plays the IRS auditor who is in charge of overseeing the Wangs’ tax
investigation. While this film was touted as a complete masterpiece by many, I
have trouble seeing what makes it so wonderful. While the cast is completely
enchanting (and let’s not forget Stephanie Hsu as Evelyn’s daughter Joy or
James Hong has her father) I found the storyline extremely hard to follow.
There were so many alternate realities coming and going for everyone that it was
difficult to ascertain which one was which. (The Academy Award the editing team
won for this was well deserved.) In addition, there were many moments of what
was supposedly labeled as humor that were utterly profane (Joy beating up some
men using giant penises as nunchucks comes to mind). Granted, I am not really a
fan of comedy and only watched this to see Yeoh in her award-winning role, but the
whole thing left me rather flat. If this is what is being labeled as high art
now, I think I’ll be more than happy to continue watching movies from previous
years. Do not let the kids see this one.
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