In
this age of cultural sensitivity and easiness to offend, there have been many
books banned from school libraries due to their content. The reasons behind
this have been that their stories question societal norms, explore sensitive
topics (homosexuality, racism, etc.), and have excessive violence in them. The
titles that have shared this infamous distinction include Thirteen Reasons Why
by Jay Asher, which tells of the truths left on tapes by a young girl who
committed suicide, The Handmaid’s Tale by Margaret Atwood, which follows a
young woman through her experiences in a society ruled by a theocratic regime,
and The Hate U Give by Andie Thomas, that explores systematic racism and its
effect on its victims. All of these are relatively new books, however banned
titles can also include classics like 1984 by George Orwell, To Kill a
Mockingbird by Harper Lee, and The Catcher in the Rye by J.D. Salinger. These
are books that I am sure many can remember being assigned to read in English
class with never a question as to whether or not they were fit for student
perusal. Yet they are also included in some of the banned lists that have been created
in some of the states in this country. The question then becomes, is banning books
really the only way that we can keep our children safe from being exposed to
questionable material?
The
fact is, no ban on anything has ever worked. From the time of Adam and Eve, the
forbidden fruit has always been the sweetest and most desired. Banning books
results in nothing more than the fact being used as a marketing tool to bring
those novels into the spotlight where the people will want to read them that
much more. There is also another fact that is more disturbing. This is that there
are books on the shelves of public libraries, and that have been there for more
than a decade, that include vividly detailed erotica under the guise of
paranormal romance. (Please see my review of Master of the Night by Angela
Knight dated April 26, 2022. Writers of her ilk include Christine Feehan, to
name just one.) Many of these libraries have little or no controls on who
checks out their materials, so these books, in the stacks under the innocuous
nomenclature of Fiction, are available to any and all, including teenage girls
looking for novels that include vampires and werewolves. While everyone is
losing their minds over some books that contain nothing but stories of young
men and women finding their own identities, these books have been the dirty
little secret of the romance genre and more than likely have been read by many
young girls over the years looking for a literary thrill. Don’t get me wrong. I
am not saying anything against these authors. They are excellent writers who
tell fantastic stories. It is the way their work has been marketed and labeled
that is the problem, and that has led to these books that are actually soft
pornography being put into the general audience sections of libraries and sold
on supermarket shelves alongside the work of such writers as Danielle Steel and
Nora Roberts.
While
banning books is not the best idea, and is actually insulting to a public who
wants the freedom to read what they wish, I would say that there does need to
be a change about who these materials are made available for. Many
administrators would say that it is the parents’ job to monitor their child’s
intake, but, especially when it comes to teens, this can be a futile if not
impossible task. My suggestion would simply be a rating system for books. The
computer systems used in libraries could be reprogrammed to include a
three-tiered patron program based on age. These would be first for children
ages twelve and younger, second for teens thirteen to eighteen, and the third
for legal adults. The books themselves would be rated according to their
content by the publishers. The movie, television, and gaming industries are
required to give similar ratings. Why not books? There could be general
consumption (G), young adult literature (T), and adult readers only (M) ratings.
Once this program was in place, the libraries would be able to use their
existing procedures while there would be automated safeguards to make sure a
fifteen-year-old was not checking out a book that included highly charged
sexual scenes, as well as scenes of overly violent action or other things that might
be deemed unsuitable for children. A rating system such as this would also make
it possible for vendors to try to put procedures into place that would make it
at least difficult for sales of these books to minors, though online purchases
would still be suspect simply because of the nature of the marketplace
involved. But at least those occurrences would be out of the jurisdiction of
the institutions that are supposed to be safe places for young people, such as
libraries.
While
this system is not perfect (as nothing ever is), it would be a way to at least
limit the cause of the issue. As I said before, I have read these authors and
find their talent very real. It is their style that makes them problematic for
younger audiences. However, authors do not normally have control over how their
work is marketed, so they should not be blamed for this debacle. Also, I would
think that that this is a more serious issue than trying to ban classic books
that have been the standard of English reading assignments for decades. The
people that are responsible for the banning of books do have the correct
motives, but somewhere between motive and execution of action something has
gotten lost. The only thing that banning books has managed to accomplish is to
make those same books even more popular and put them on the bestselling lists
as a result. If these people really do not want their children reading these
stories, perhaps they should pay more attention to what is in their child’s
hands than what is on the library shelves. Especially considering what they
have already allowed them to be exposed to for the past decade.
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